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REBEKAH TENBROEK HANSEN

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Visual Artist | SEATTLE, WA

REBEKAH TENBROEK HANSEN

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fray

Fiber Wall Drawings - 2014-2015

This body of work examines various cultural expectations and personal experiences surrounding gender and the female body. Much of the work involves reflection on issues of trauma and loss and the effectual search for healing. 

A combination of two dimensional and three dimensional pieces provides a divergent yet cohesive framework for working through the dualistic nature of these themes; whether the goal is to initiate reconciliation between them or merely to validate the respective, psychological ramifications of each. 

Physical manipulation and collage of various materials, represent a destruction and reconstitution of personal assumptions, ideologies, and memories. Rebuilding towards a new sum of fragmented parts becomes a recovery--and at times a retaliation. 

Furthermore, the meditation involved in tedious and exacting processes coupled with intuitive action is as important to my work as the formal result. The visual and experiential outcome is deliberately ordered, yet still chaotic, signifying the paradoxical fragility and resilience of female identity as external and internal forces act upon it.

 

Fiber Wall Drawings - 2014-2015

This body of work examines various cultural expectations and personal experiences surrounding gender and the female body. Much of the work involves reflection on issues of trauma and loss and the effectual search for healing. 

A combination of two dimensional and three dimensional pieces provides a divergent yet cohesive framework for working through the dualistic nature of these themes; whether the goal is to initiate reconciliation between them or merely to validate the respective, psychological ramifications of each. 

Physical manipulation and collage of various materials, represent a destruction and reconstitution of personal assumptions, ideologies, and memories. Rebuilding towards a new sum of fragmented parts becomes a recovery--and at times a retaliation. 

Furthermore, the meditation involved in tedious and exacting processes coupled with intuitive action is as important to my work as the formal result. The visual and experiential outcome is deliberately ordered, yet still chaotic, signifying the paradoxical fragility and resilience of female identity as external and internal forces act upon it.

 

fray

fray

mixed media on erosion control burlap, 50" x 31", 2015

"Fray" (detail)

"Fray" (detail)

 

 

 

filter

filter

aluminum screen, 55" x 28", 2015

 

 

piece

piece

compiled pieces of plaster-caste jute mesh, dimensions variable and growing, 2015

 

 

gather

gather

Jute Hessian, dimensions variable and growing, 2015

 

 

mirror

mirror

Jute mesh, paint, wooden dowels, 30" x 22", 2015

 

 

stain

stain

Paper, paint wash, staples, aluminum screen, plaster, 48" x 36", 2015

 

 

nest

nest

Jute mesh, jute Hessian, plaster, staples, 28" diameter, 2015

 

 

regret

regret

paint and conte crayon on layered jute mesh, tissue paper, and acetate, 40" x 25", 2014

 

 

peel

peel

Layered jute mesh, 25" x 18", 2015

 

 

"Cover"

"Cover"

Manipulated jute hessian, textile dye, and fabric stiffner, 66"x36", 2015

"Cover" (top detail)

"Cover" (top detail)

"Cover" (bottom detail)

"Cover" (bottom detail)